| Semesterapparate |
Dietmar Elflein:
Literatur nach Themen geordnet - Populäre Musik und Technik
Relevanz:
Dietmar Elflein:
Literaturliste Populäre Musik und Technik
Relevanz:
Dietmar Elflein:
Referatsliste Populäre Musik und Technik
Relevanz:
Brovik-Hanssen, Ragnhild; Harkins, Paul:
Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups
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Kramarz, Volkmar:
Die Entwicklung der Recording Culture am Beispiel der Beatles in den Abbey Road Studios
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Lawrence, Tim:
Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology
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Wynands, René:
Do the Reggae. Reggae von Pocomania bis Ragga und der Mythos Bob Marley
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Keep, Andy:
Does Creative Abuse Drive Developments in Record Production?
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Navas, Eduardo:
Dub, B Sides and Their [re]versions in the Threshold of Remix
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Budde, Dirk:
Elektronische Tanz- und Unterhaltungsmusik: ‚Spotlights’ zur Produktionsweise aus Insider-Sicht
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Rothenburger, Eric W. :
For-the-record aesthetics and Robert Johnson’s blues style as a product of recorded culture
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Woodruff, Jennifer A. :
Have you heard, have you heard?: Sound, Sexuality and Missy Elliott's Public Body
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Phleps, Thomas:
Hell Hound On My Trail. Robert Johnson: Mythos und Musik
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Enders, Bernd; Rocholl, Christoph :
Instrumentalmusik im Zeichen der Elektronik
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Ramshaw, Paul:
Is Music Production now a Composition Process?
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Savage, Jon:
Machine Soul: A History Of Techno
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Brovik-Hanssen, Danielsen, Harkins, Kvifte:
Musical Rhythm in the Age of Digital Reproduction
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Lacasse, Serge:
Persona, emotions and technology: the phonographic staging of the popular music voice
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Thompson, Gary:
Please Please me. Sixties British Pop inside out
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Chang, Vanessa:
Records that play: the present past in sampling practice
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Navas, Eduardo:
Remix: The Bond of Repetition and Representation
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Pfleiderer, Martin:
Riddim & Sound. Dub Reggae und Entwicklungen der neueren Popularmusik
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Camilleri, Lelio:
Shaping sounds, shaping spaces
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Hankins, Sarah :
So Contagious: Hybridity and Subcultural Exchange in Hip-Hop’s Use of Indian Samples
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Butler, Jan:
The Beach Boys’ Pet Sounds and the musicology of record production
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Tjora, Aksel H. :
The groove in the box: a technologically mediated inspiration in electronic dance music
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Warner, Timothy:
The Song of the Hydra: multiple lead vocals in modern pop music recordings
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Zagorski-Thomas, Simon:
The stadium in your bedroom: functional staging, authenticity and the audience led aesthetic in record production
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Collins, Steve:
Waveform Pirates: Sampling, Piracy and Musical Creativity
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Montana, Ed:
„‘How do you know he’s not playing Pac-Man while he’s supposed to be DJing?’: technology, formats and the digital future of DJ culture
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© Universitätsbibliothek Braunschweig
Kontakt: ub@tu-bs.de |
24. 09. 2007
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